The Brothers Johnson

The Brothers Johnson, a prominent American funk, soul, and R&B band, were highly influential in the 1970s and 1980s. The group was formed by brothers George (“Lightnin’ Licks”) and Louis E. Johnson (“Thunder Thumbs”), who were known for their exceptional musicianship, particularly George’s guitar skills and Louis’s bass playing.

The Brothers Johnson hailed from Los Angeles, California, and began their career as backing musicians for various artists. Their big break came when they joined the band of the legendary musician and producer Quincy Jones. Their work with Jones helped them gain recognition and paved the way for their own recording career.

The duo’s debut album, “Look Out for #1,” released in 1976, was a significant success. It included hits such as “I’ll Be Good to You” and “Get the Funk Out Ma Face,” which showcased their blend of funk, soul, and R&B. Their style was marked by catchy, danceable rhythms, tight instrumentation, and smooth vocal harmonies.

Their biggest hit came with the release of “Strawberry Letter 23” in 1977, from their album “Right on Time.” The song, a cover of a Shuggie Otis track, became a staple of R&B and funk music, known for its distinctive, melodic sound and lush production.

Throughout their career, The Brothers Johnson released several successful albums and singles. Another notable hit was “Stomp!,” released in 1980, which became a dance floor favorite and showcased their ability to create music that appealed to both R&B and pop audiences.

Beyond their work as a duo, George and Louis Johnson were sought-after session musicians, contributing to recordings by artists across various genres. Their musicianship was particularly influential in the development of funk and R&B during the 1970s and 1980s.

In the late 1980s, the brothers pursued separate careers but occasionally reunited for tours and recordings. Despite the ebbs and flows of their career, The Brothers Johnson left an indelible mark on funk and R&B music. Their innovative sound, marked by Louis Johnson’s distinctive slap bass technique and George Johnson’s smooth vocals and guitar work, continues to influence musicians and remains popular with fans of classic